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2026

Lovers Tour

Balkan Season 2026

Directed by: Brett Bailey

Concerts

6 SeptemberBanja LukaBanski Dvor
8 SeptemberRijekaExport Drvo
10 SeptemberNovi SadSynagogue
6 OctoberPristinaPalace of youth and sport

Programme

01Julius EastmanGay Guerilla (Orchestrated by Davor Vincze)
02Claude DebussyClair de Lune
03Sara Glojnaric#popfem
04Gustav MahlerAdagietto
05Gavin BryarsJesus’ blood never failed me yet

Lovers Tour2026

2025

Turning Point Tour

Balkan Season 2025

Concerts

30 AugustMostarKosača
4 SeptemberPrištinaPalace of Youth and Sport
5 SeptemberSkopjeMacedonian Philharmonics
31 OctoberTiranaUniversity of Arts Main Hall

Programme

01Nina PerovićBubbling*
02Arnold SchoenbergVerklärte Nacht
03Davor Branimir VinczeCkrsch!*
04Gustav MahlerAdagietto
05Darija AndovskaApoptotic Bodies*
06Richard StraussMetamorphosen
07Marko NikodijevićLast Inscription*

* commissioned by NBO

Turning Point Tour2025

2024

Turning Point Tour

Balkan Season 2024

Concerts

4 SeptemberSarajevoCity Hall
6 SeptemberNovi SadSynagogue

Programme

01Nina PerovićBubbling*
02Arnold SchoenbergVerklärte Nacht
03Davor Branimir VinczeCkrsch!*
04Gustav MahlerAdagietto
05Darija AndovskaApoptotic Bodies*
06Richard StraussMetamorphosen
07Marko NikodijevićLast Inscription*

* commissioned by NBO

2023

Embracing Vulnerability Tour

The wound is the place where the light enters you

Balkan Season 2023

Concerts

15 SeptemberMostarOKC Abrasevic
17 SeptemberNovi SadSynagogue
19 SeptemberMariborUnion Hall, Festival Maribor

Programme

01Johann Sebastian BachO Haupt Voll Blut und Wunden
02Davor Branimir VinczeThe Wound is the Place where the Light enters You — Movement I: In my dreams I’m dying all the time*
03Isidora ZebeljanDeserted Village
04Steve ReichDifferent Trains – Europe-During the War — Movement II: Suture hors-temps
05Arvo PärtCantus in memoriam Benjamin Britten — Movement III: Der Prozess
06Franz SchubertString Quintet in C major, D. 956 – Adagio
07Gustav MahlerAdagietto — Movement IV: Mì alma (stuck in a loop)
08Edward ElgarNimrod — Movement V: Lux ex Tenebris

* commissioned by NBO

Embracing Vulnerability Tour2023

2022

Embracing Vulnerability Tour

The wound is the place where the light enters you

Balkan Season 2022

Concerts

24 AugustPodgoricaPodgorica Cultural Summer
26 AugustSarajevoCity Hall
28 AugustRijekaExport Drvo
29 AugustZagrebLauba

Programme

01Johann Sebastian BachO Haupt Voll Blut und Wunden
02Davor Branimir VinczeThe Wound is the Place where the Light enters You — Movement I: In my dreams I’m dying all the time*
03Isidora ZebeljanDeserted Village
04Steve ReichDifferent Trains – Europe-During the War — Movement II: Suture hors-temps
05Arvo PärtCantus in memoriam Benjamin Britten — Movement III: Der Prozess
06Franz SchubertString Quintet in C major, D. 956 – Adagio
07Gustav MahlerAdagietto — Movement IV: Mì alma (stuck in a loop)
08Edward ElgarNimrod — Movement V: Lux ex Tenebris

* commissioned by NBO

2021

No Return to Normality Tour

Balkan Season 2021

Concerts

23 AugustRijekaExport Drvo
25 AugustZagrebLauba
27 AugustSarajevoArmy Hall
25 SeptemberMariborUnion Hall
26 SeptemberNova GoricaKulturni Dom
24 OctoberBelgradeMuseum of Yugoslavia

Programme

01John AdamsShaker Loops
02Max RichterVivaldi recomposed (Vladimir Kostov, solo violin)
03Ivan BozicevicRethink! – trailer*
04Richard StraussMetamorphosen

* commissioned by NBO

More information about the tour here

No Return to Normality Tour2021

2020

Balkan Season 2020

Concerts

Due to the covid pandemic, the Balkan Season 2020 Tour was postponed until next year.

2019

B Matinee Tour

Balkan Season 2019

Concerts

28 JulyTivatKotorart Festival
30 JulyPrizrenLumbardhi Stage
1 AugustSarajevoCinemas Sloga
19 SeptemberMariborMaribor Festival
20 SeptemberZagrebLauba
22 SeptemberBelgradeDrugstore, Bitef
24 SeptemberBerlinBerghain, Month of Contemporary Music

Programme

01Draško AdžićB. matinée*
02Drinor ZymberiTrance*
03Arvo PärtFratres (Stanko Madic, solo violin)
04Davor Branimir Vinczedarkroom*
05Samuel BarberAdagio for Strings
06Darija AndovskaFairVent*
07Danijel ZontarAfterparty (electronica: DJ MKDSL)*

* commissioned by NBO

More information about the tour here

B Matinee Tour2019

2018

I exist – to Rajasthan

Production: Marc Sinan Company

Composer: Marc Sinan

Marc Sinan, Iva Bittova, Raju Bhopa, Dayam Khan, Papamir, NBO and Dresdner Sinfoniker

Concerts

4 NovemberBelgradeNational Theatre
6 NovemberPecsZsolnay Cultural Quarter, E78
9, 10 NovemberBerlinTAK theatre, Aufbau-Haus

Balkan Season 2018

annual regional summer tour

Concerts

17 AugustBudvaTheatre City
18 AugustPrizrenLumbardhi Stage
20 AugustSarajevoArmy Hall
22 AugustBelgradeCentre for Cultural Decontamination

Programme

01Pjotr Ilyitch TchaikovskySerenade
02Aleksandra VrebalovPannonia Boundless
03Johann Sebastian BachConcerto for violin and viola in C minor (soloists: Stanko Madić, violin & Saša Mirković, viola)
04Arnold SchoenbergTransfigured night

More information about the tour here

Balkan Season 20182018

2017

I exist – to Rajasthan

Production: Marc Sinan Company

Composer: Marc Sinan

Marc Sinan, Iva Bittova, Raju Bhopa, Dayam Khan, Papamir, NBO and Dresdner Sinfoniker

Concerts

31 MarchDresdenFestspielhaus Hellerau
2 AprilBerlinRadialsystem V
3 AprilMunichwhite BOX

2016

Verdi/Cassol: Macbeth

Directed by: Brett Bailey

Production: Third World Bun Fight, Cape Town

Concerts

11, 12, 13 FebruaryBrusselsKVS
17, 18, FebruaryPoitiersTheatre et auditorium de Poitiers
23 FebruaryLjubljanaCankarjev Dom
28, 29 MayMacaoChina, Macao Arts Festival, Grand Auditorium, Macao Cultural Centre
24 JuneNaplesNapoli Teatro Festival Italia, Auditorium RAI Domenico Scarlatti
28, 29 JuneMarseillesFestival de Marseilles/Festival d`Aix-en-Provence, Les Espaces culturels du Silo d`Arenc
22, 23 JulyAthensEpidaurus Festival
4, 5 OctoberQuimperLe Theatre de Cornouaille

Aghet – The Great Catastrophe

Production: Dresdner Sinfoniker

No Borders Orchestra together with musicians from Dresdner Sinfoniker, Dresdner Kammerchor, AuditivVokal and musicians from Turkey and Armenia.

Concerts

29, 30 AprilDresdenHellerau, Europäisches Zentrum der Künste
5 NovemberBelgradeYugoslav Drama Theatre

Programme

01Zeynep GedizliogluNotes from the Silent One
02Vache SharafyanSurgite Gloriae
03Helmut OehringMassaker, hört ihr MASSAKER!

2015

Verdi/Cassol: Macbeth

Directed by: Brett Bailey

Production: Third World Bun Fight, Cape Town

Concerts

10, 11 SeptemberGwangjuSouth Korea, Opening Festival of the Asian Culture Complex Arts Theater
15, 16, 18, 19 SeptemberBrisbaneAustralia, Brisbane Festival
24, 25, 26 SeptemberHamburgKampnagel Internationale Kulturfabrik

Aghet – The Great Catastrophe

Production: Dresdner Sinfoniker

No Borders Orchestra together with musicians from Dresdner Sinfoniker, Dresdner Kammerchor, AuditivVokal and musicians from Turkey and Armenia.

Concerts

27, 28 NovemberBerlinRadial System

Programme

01Zeynep GedizliogluNotes from the Silent One
02Vache SharafyanSurgite Gloriae
03Helmut OehringMassaker, hört ihr MASSAKER!

2014

Verdi/Cassol: Macbeth

Directed by: Brett Bailey

Production: Third World Bun Fight, Cape Town

Concerts

13, 15, 16 MayBrusselsKunstenfestivaldesarts at KVS Theatre
19, 20 MayRotterdamOperadagen
24, 25, 27, 28 MayViennaWiener Festwochen
11, 12 JuneBraunschweigFestival Theaterformen
16, 17, 19, 20 SeptemberLondonBarbican
17, 18 OctoberGironaTheatre Municipal
22, 23 OctoberLisbonMaria Matos Teatro Municipal
30, 31 OctoberTarbesLe Parvis
4, 5, 7, 8 NovemberToulouseTheatre Garonne
12, 14, 15 NovemberStrasbourgLe Maillon
18, 19, 21, 22 NovemberParisFestival d’Automne at Noveau Theatre de Montreuil
25, 26 NovemberParisFestival d’Automne at La Ferme Du Buisson
29 NovemberDouaiL’hippodrome

2013

Concerts

20 OctoberBerlinRadial System

Programme

01Isidora ŽebeljanHorses of Saint Mark
02Lera AuerbachSogno di Stabat Mater (soloists: Stanko Madic, violin & Sasa Mirkovic, viola)
03Richard WagnerSiegfried-Idyll
04Zoltán KodályDances of Galanta

Concerts

10 OctoberPrištinaThe Cathedral of Blessed Mother Teresa

Programme

01Franz SchubertSymphony No. 7 “Unfinished”
02Richard WagnerSiegfried-Idyll
03Zoltán KodályDances of Galanta

Concerts

21 AugustLjubljanaLjubljana Festival
17 AugustTrebinjeOld Town Square
15 AugustHerceg NoviGuitar Art Summer Fest
13 AugustKotorKotor Art Festival

Programme

01Sergei ProkofievSymphonie classique
02Isidora ŽebeljanHorses of Saint Mark
03Joaquin RodrigoConcierto de Aranjuez (soloist Miloš Karadaglić, guitar)
04Richard WagnerSiegfried-Idyll
05Zoltán KodályDances of Galanta

Concerts

17 MarchBelgradeKolarac Concert Hallin the framework of the annual European Festival Association Collective and Affiliate Members Meeting (CAMM) and the 14th edition of the Guitar Art Festival
16 MarchNovi SadSynagogue

Programme

01Isidora ŽebeljanThe Horses of Saint Mark
02Albeniz/Leo BrouwerIberia (soloist: Edin Karamazov, guitar)
03KodalyDances of Galanta

2012

Concerts

11 OctoberBelgradeSava Centerinauguration concert at the gala opening of the 44th BEMUS Festival

Programme

01Sergei ProkofievSymphonie classique
02Ludwig van BeethovenPiano Concerto No.5 in E-flat major Op.73 – “Emperor” (soloist: Hinrich Alpers, piano)
03Charles IvesThe Unanswered Question
04Zoltán KodályDances of Galánta

Concerts

9 OctoberKanjizaHouse of Artsthe first public appearance of No Borders Orchestra

Programme

01Sergei ProkofievSymphonie classique
02Charles IvesThe Unanswered Question
03Zoltán KodályDances of Galánta

Lovers Tour

2026

In a world marked by war, right-wing populism, deepening social inequality, human rights violations, and human-caused climate change, turning our attention to love might seem disarmingly simple. Yet, this apparent simplicity is precisely its power. At the root of our global crises is an absolute lack of care, empathy, compassion, relational responsibility, and the capacity to recognise the vulnerability of others.

In recent years, feminist, queer, and leftist thinkers and artists have therefore returned to terms such as radical tenderness, radical love, and revolutionary love. These concepts do not describe love as a private emotion alone; they understand it as an ethical and political force: a way of resisting fear, alienation, division, and othering.

The Lovers Tour approaches love not as an escape from the world, but as a driving force within it. We are choosing radical empathy over systemic apathy, solidarity, attention, a refusal of exclusion, and a commitment to the freedom of others. It encompasses romantic love, queer love, friendship, chosen family, self-love, and the fragile bonds through which people create belonging. Within society as a whole, these seemingly small, everyday actions are incredibly important, powerful, subversive, and transgressive toward the dominant system.

The freedom to love remains an unfinished political struggle. It concerns the universal recognition, protection, and inclusion of different forms of love, intimacy, and kinship. Against discrimination, hatred, and violence, the Lovers Tour insists on a simple ethical principle: when people find happiness, dignity, and connection with one another, what right does anyone have to deny them that freedom?

For the No Borders Orchestra, this question is not abstract. The concert itself becomes a laboratory for a kinder and more open society. Listening, breathing together, sharing time, and giving space to others are not only musical acts—they are social acts. In this sense, the Lovers understand the orchestra as a community in practice: a temporary public space in which difference is not erased, but held, heard, and transformed into collective energy; a space where people forge alliances across borders. Friendship as a way of being. Love as an active practice of liberation. Lovers as an embodiment of love.

The Lovers Tour therefore thematizes both the freedom of the individual act of love and love as a political force. It asks us to become more loving and to open up space for others. Love appears here not as a naive ideal, but as a disruptive and liberating practice of connection.

Real love creates a new world. A different, better world! Let’s start where transformation is the most realistic. Let’s start with ourselves!

Julius Eastman

Now the reason I use Gay Guerrilla — G U E R R I L L A, that one — is because these names — let me put a little subsystem here — these names: either I glorify them or they glorify me. And in the case of guerrilla: that glorifies gay — that is to say, there aren’t many gay guerrillas. I don’t feel that ‘gaydom’ has — does have — that strength, so therefore, I use that word in the hopes that they will. You see, I feel that — at this point, I don’t feel that gay guerrillas can really match with ‘Afghani’ guerrillas or ‘PLO’ guerrillas, but let us hope in the future that they might, you see. That’s why I use that word guerrilla: it means a guerrilla is someone who is, in any case, sacrificing his life for a point of view. And, you know, if there is a cause — and if it is a great cause — those who belong to that cause will sacrifice their blood, because, without blood, there is no cause. So, therefore, that is the reason that I use gay guerrilla, in hopes that I might be one, if called upon to be one.

Sara Glojnaric

#popfem explores the ultraconservative, right-wing, pro-life, anti-feministic and misogynistic side of YouTube videos and transforms them into their opposites. We took videos, that were strongly based in hate, misunderstanding/misinformation, as well as phobias of all types, and manipulated them into reciting texts about topics we find relevant for [western] women today (abortion rights, rape culture and hashtag feminism, internalized misogyny). Essentially, we are using the same mechanisms as all of our protagonists do – taking information out of context, presenting them in a specific way, under specific conditions, in order to prove ideological legitimacy.

Gavin Bryars

In 1971, when I lived in London, I was working on a film about people living rough in the area around Elephant and Castle and Waterloo Station. In the course of being filmed, some people broke into drunken song - sometimes bits of opera, sometimes sentimental ballads - and one, who in fact did not drink, sang a religious song "Jesus' Blood Never Failed Me Yet". This was not ultimately used in the film and I was given all the unused sections of tape, including this one.

When I played it at home, I found that his singing was in tune with my piano, and I improvised a simple accompaniment. I noticed, too, that the first section of the song - 13 bars in length - formed an effective loop which repeated in a slightly unpredictable way. I took the tape loop to Leicester, where I was working in the Fine Art Department, and copied the loop onto a continuous reel of tape, thinking about perhaps adding an orchestrated accompaniment to this. The door of the recording room opened on to one of the large painting studios and I left the tape copying, with the door open, while I went to have a cup of coffee. When I came back I found the normally lively room unnaturally subdued. People were moving about much more slowly than usual and a few were sitting alone, quietly weeping.

I was puzzled until I realised that the tape was still playing and that they had been overcome by the old man's singing. This convinced me of the emotional power of the music and of the possibilities offered by adding a simple, though gradually evolving, orchestral accompaniment that respected the tramp's nobility and simple faith. Although he died before he could hear what I had done with his singing, the piece remains as an eloquent, but understated testimony to his spirit and optimism.

Robert Musil, from "The Man without Qualities"

For the lover, truth and deception are equally trivial, and yet this does not strike him as caprice: Now, this is probably no more than a changed personal attitude, but I would say that it still finally depends on countless possibilities underlying whatever reality has conquered them, possibilities that could also have become realities. The lover awakens them. Everything suddenly appears different to him from what you think. Instead of a citizen of this world, he becomes a creature of countless worlds-

Arthur Rimbaud, from "A Season in Hell"

Love must be reinvented

The Third Karmapa Rangjung Dorje, from "Mahamudra Aspiration Prayer"

In the moment of love the empty essence nakedly dawns

Turning Point Tour

2025 · 2024

The Turning Point traverses the aesthetic crossroads of Schoenberg, Strauss, and Mahler, composers whose works are emblematic of a pivotal era straddling the late Romantic tradition and the onset of Modernism. At the same time, the Tour mirrors our own era's critical juncture, resonating with the perspectives of contemporary thinkers, politicians, and philosophers who see striking parallels between the world today and the tumultuous period preceding World War I. That period, much like our own, was a world in crisis, oscillating between the untenable Old and the necessary but uncharted New, a world searching for meaning in the midst of meaninglessness. Through this thematic exploration, the project confronts our present-day challenges, mirroring a world once teetering on the edge. Yet, amidst this somber reflection, the Turning Point embodies a message of hope, imploring us not to let history repeat its darkest chapters but rather to transcend our mistakes and forge a path toward a more enlightened and united civilization. This powerful narrative is not just a reminiscence of a world at the brink, but a beacon of optimism, guiding us to emerge from these troubling times as a stronger, more harmonious society.

Wars, increasing social inequalities, pollution, climate change and the destruction of remaining natural zones, has brought the world to a breaking point. There is a need for transformation on many levels. NBO sees this crisis as an opportunity, a chance to grow as a society and unite in the fight for peace and understanding. It is necessary to open ourselves to others and to profoundly transform the way of living. It is crucial to act now!

Accompanying these historical masterpieces there are four newly commissioned contemporary works, from leading composers from the region: Nina Perovic (Montenegro), Davor Branimir Vincze (Croatia), Darija Andovska (North Macedonia) and Marko Nikodijevic (Serbia). These pieces serve as a thematic bridges within the program, highlighting the ongoing dialogue between the past and the present, thematize explicitly the dramatic situation in which the world is right now and pointing towards the future.

Nina Perović

Bubbling

Aligning with the narrative of the Turning Point project, the imagery of bubbling water reflects ongoing tension and potential for change. The movement and music evoke the currents of water, symbolizing turbulence and fluidity and reflect the struggle between the old and the new, resonating with themes of societal upheaval and transformation. The recording of audio sounds from rivers, seas, bubbles and other sources created the sonic material for the piece, while the movement of the musicians was shaped based on a hexagon, which represents a fundamental aspect of the solid forms of water.

Davor Branimir Vincze

Ckrsch!

With this piece I wanted to create something primordial: a raw sound of the electronics, which gets dubbed by the string orchestra. Out of shivering noise emerges a strong gravity presence. Like musical chameleon, the sound shape-shifts as it passes you by, and disappears leaving the space echoing the flutter of its distant wings.

Darija Andovska

Apoptotic Bodies

Apoptotic bodies (ApoBDs) are a peculiar type of extracellular vesicle that are the remnants of cells having undergone apoptosis, or programmed cell death.

Apoptosis, the programmed cell death, is actually a way of cells committing suicide in order to destroy a sick tissue or let other tissues develop, which is the major process responsible for the metamorphosis.

The apoptotic bodies are capable of delivering genetic information and other useful materials to healthy recipient cells, bolstering essential processes such as immune response and tissue regeneration.

The formation of ApoBDs is the result of a highly coordinated cell disassembly operation, although researchers have yet to unravel the mechanisms behind this cellular decision-making.

Marko Nikodijević

Last Inscription

Last inscription is a study for string orchestra. its harmonies are based on selective transcription of synthesized sounds.

Embracing Vulnerability Tour

2023 · 2022

The global pandemic left the world in a shaken and vulnerable state. Even as it seemed the world was regaining its bearings and pulling out of the crisis, another devastating and unthinkable event occurred – the war in Ukraine.

It is important for all of us to understand where we are right now and to gain the courage to face our current social, physical, economic, and environmental insecurities and vulnerabilities.

Vulnerability is “uncertainty, risk, and emotional exposure.” It is the unstable feeling we get when we step out of our comfort zone or do something that forces us to loosen control.

With this tour NBO proposes not to deny our present situation, not to run away, not to be a victim, but rather invites us to see this crisis as an opportunity to embrace our vulnerabilities, open ourselves to others and to profoundly transform our way of living. To embrace our vulnerabilities means to use them as a chance to grow as a society and unite in the fight for peace and understanding.

Choosing courage and vulnerability can open us up to love, joy and belonging, and bring us closer to “wholehearted living.”

The inspiration for the title of this year’s tour comes from the Sufi teacher and philosopher Rumi's famous poem:

I said: what about my eyes?

He said: Keep them on the road.

I said: What about my passion?

He said: Keep it burning.

I said: What about my heart?

He said: Tell me what you hold inside it?

I said: Pain and sorrow.

He said: Stay with it. The wound is the place where the Light enters you.

No Return to Normality Tour

2021

The NBO "No Return to Normality" Tour invites people to think about life after the pandemic. With systemic problems such as climate change, social inequality, hyper-productivity and consumerism we need to ask ourselves if we want to return to the way things were before the pandemic. NBO is a testament to the need and possibility of music overcoming national and communal differences for the sake of the common good. This spirit is needed more than ever in the world during and after the corona pandemic. Humanity needs to come together and develop an overriding common purpose.

We believe our experience of bringing people together, through music, in the Balkans is relevant for the rest of the world. At the beginning of the corona pandemic a group of more than 200 high-profile artists, scientists, and thought leaders signed a call to arms, asking citizens and leaders not to return to the "normal" that led us to the brink of this pandemic. With this tour NBO joins them in this urge to avoid post-lockdown “return to normal”. We need transformation, a profound overhaul of our goals, beliefs and values. We are building the reality for which we will all be equally responsible. We must act now.

OPEN LETTER The Covid-19 pandemic is a tragedy. This crisis is, however, inviting us to examine what is essential. And what we see is simple: “adjustments” are not enough. The problem is systemic. The ongoing ecological catastrophe is a meta-crisis: the massive extinction of life on Earth is no longer in doubt, and all indicators point to a direct existential threat. Unlike a pandemic, however severe, a global ecological collapse will have immeasurable consequences. We therefore solemnly call upon leaders — and all of us as citizens – to leave behind the unsustainable logic that still prevails and to undertake a profound overhaul of our goals, values and economies. The pursuit of consumerism and an obsession with productivity have led us to deny the value of life itself: that of plants, that of animals, and that of a great number of human beings. Pollution, climate change, and the destruction of our remaining natural zones has brought the world to a breaking point. For these reasons, along with increasing social inequalities, we believe it is unthinkable to ‘go back to normal’. The radical transformation we need – at all levels – demands boldness and courage. It will not happen without a massive and determined commitment. We must act now. It is as much a matter of survival as one of dignity and coherence.

B Matinee Tour

2019

Building on a successful tour of the Balkans during summer 2018 the No Borders Orchestra string ensemble, accompanied by percussions and electronica, follow up in summer 2019 with another international tour around the Western Balkans and Europe called B Matinee. This project, whose name suggests new beginnings, brings together contemporary classical music and clubbing culture, and features cutting-edge new compositions by five exciting young composers from the Balkan region. These new, contemporary, experimental compositions are inspired by Berghain, the famous Berlin club. The 2019 B Matinee tour also commemorates thirty years of the Fall of the Berlin Wall and celebrates the tearing down of walls between classical and clubbing music. By communicating with contemporary techno sound, our composers cross genres, surmounting the borders between different styles of music. The result is a new and fresh sound that has no limits celebrating new paths and possibilities.

Drasko Adzic

B. matinée is about morning, when a gust of wind which appears from nowhere envelopes you whole after hours of dancing.

It’s about the joy of being capable to see happiness suspended in time, right in front of you, palpable, for hours on end.

It’s about swapping night and day.

It’s about the tingling of anticipation when you see a journey starting to unfold before your eyes and you crave to find out where it will lead, knowing all along that you will get there.

It’s about pixelization of sound and space.

It’s about the eternaly young skin, glistening against the warmth of the dark.

It’s about a hypersexual serotonin-based superorganism.

It’s about the choice to feel free.

It’s about introspection and change.

It’s about beginning.It’s about being.It’s about beyond.It’s about Berghain.

Drinor Zymberi

One of my goals during the composing process is to catch some sounds and organize it in a way that someone can experience the feeling of ecstasy, and for me the synthesis between classical contemporary music and EDM music elements offers the possibility of experiencing that feeling.

Davor Branimir Vincze

While I briefly lived in Berlin in 2013, I was flabbergasted by Berlin and its techno scene, organized in vast spaces filled with music and streams of people. Thus for me, the opportunity to work on a Berghain inspired project, had an instant allure. The techno of Berghain and my music might seem miles apart, but we share some common fascinations - technology and cultural intertwinedness.

Microllage – compositional technique I developed – fragments musical pieces into snippets and then reshuffles them to form different kinds of gestures and phrases. By doing so it re-contextualises the music of others, building on commonalities between disparate styles, much like a DJ’s remix of various musical elements during a late night session.

‘darkroom’ describes a hypothetical musical space - mystical, huge, open and liberating; such that allows your body and soul to roam free. You can’t see, so you have to listen! It might sound scary, but the trick is to let go...

Darija Andovska

It’s what we carry inside of us since the dawn of time.The beat.It’s a catharsic ritual.The beat.It’s a special tribe of handpicked people.The beat.It’s the two divine forces, interlocked, repeating in a circle - the Eros and Thanatos.The beat.It’s transcending.The beat.The beat.The beat.The beat.

Danijel Zontar

  • sTripped-down aesthetics
  • rEpetitive
  • introspeCtion
  • static Harmony
  • Non-narattive
  • ...my inspiratiOn

Balkan Season 2018

2018

No Borders Orchestra stands for

amazing musicunity in diversitytolerance and togethernessin the Balkans & beyond

In the region at the very heart of Europe that has for decades stood for crisis, conflict and divisiveness, there is a group of young people that embodies a different story. Their passion is togetherness, their bond is friendship, their language is music. No Borders Orchestra is their story!

As we see every day in the news, what is happening in the Balkans is happening in the world: that is why NBO’s impact is not regional, its reach is universal!

With its excellent music making, No Borders Orchestra breaks down borders of all kinds: between countries, classes and ethnicities, between the classical concert halls of the elites and the rocking stages of the people. Made up of the best professional musicians from every country, religious and ethnic group of the former Yugoslavia, the orchestra is a living embodiment of everything that matters to modern Europe: diversity, integration and the spirit of friendship. Hence the commitment to excellence: the quality of our music is a direct expression of what we believe the Western Balkans – and Europe – can achieve when united by tolerance and togetherness.

To spread their powerful message, No Borders Orchestra is establishing the annual Balkan Season tour in the region.

Aghet – The Great Catastrophe

2016 · 2015

No Borders Orchestra together with musicians from Dresdner Sinfoniker, Dresdner Kammerchor, AuditivVokal and musicians from Turkey and Armenia.